Toss Those PSWD Guidelines for Judging Rose Photography

This entry is part 2 of 3 in the series Showing Photographs at Rose Shows

Rose Photography Has New Guidelines, The ARS Guidelines for Judging Rose Photography

When the Board of the American Rose Society (ARS) approved the new Guidelines for Judging Rose Photography in Syracuse in September 2015, the PSWD Guidelines became obsolete. When I wrote the PSWD Guidelines, with considerable input from Sally Long, the goal was to ultimately have standardized, national guidelines. The new guidelines, written by the ARS Photography Committee, chaired by Curtis Aumiller, have been officially approved and replace everything that came before. This will not be an issue for Districts that have never had guidelines for photography, but it could be confusing for anyone who continues to use the now-outdated PSWD Guidelines. They are as outdated as rotary phones and party lines in this era of cell phones.

Some people are confused by the fact the ARS guidelines were approved as “temporary” and think that means “optional.” The Committee requested temporary approval so that the guidelines could be used and feedback obtained about changes people would like to see. A show committee never has to use ARS rules unless ARS awards are going to be given. This includes even the little ribbons for 1st-4th places. Show committees are used to this when writing schedules for Horticulture and Arrangements. Now the new Guidelines for Photography need to be followed in the same manner if ARS awards are to be given. ARS members may download the Guidelines here.

If your District has now appointed a District Chairman for Photography, feel free to address your photography schedule questions to that person, as well as to the ARS Photography Chairman, Curtis Aumiller (caumiller[at]yahoo.com). The current PSWD Chairman of Photography is Sally Long. If your District does not have a Photography Chairman, Curtis Aumiller and the ARS Photography Committee are ready to assist you with your schedule and other questions.

A transition from one set of guidelines to the new ARS guidelines will not be a problem for people who have never had guidelines. The PSWD Guidelines are ubiquitous in that district, and are found elsewhere when people have seen what was done here. It is for people who have used the old guidelines and know them well that I am doing a series, of which this is the first post, that explains what is the same, what is different, what is new.

The Score Card in the ARS Guidelines is unchanged. 🙂

Subsequent posts will address some new additions and some very important changes that judges and exhibitors alike need to know. Stay tuned.

Showing Rose Photographs

showing rose photographs
This entry is part 1 of 3 in the series Showing Photographs at Rose Shows

Showing Rose Photographs in Rose Shows – Cost Effective Mounting and Matting How-To

Especially for my friends in roses: those who already show photographs in rose shows, and especially those who would like to but haven’t yet because they think it is too expensive.

FREE pdf that you may download, share, print, link to, etc. I wrote this to be freely shared:

HOW TO MOUNT AND MAT_for new pdf 04102016

For those who would prefer the information in a Kindle format, readable on any device with the free Kindle app, it is $0.99, the minimum price Amazon allows:

Many readers here know that while my interests have grown in many directions, digital photography for me began with roses. I purchased my first digital camera, a little Nikon Coolpix, in 2004 to have a light weight camera that would fit in my purse to take to rose shows that I judged. When that camera died – I wore it out! – in 2008, I bought a Canon G9, a compact digital with many manual controls and RAW capabilities. I had to take a class, “How to Use Your Digital Camera,” to learn how to use that camera and also the software necessary to process RAW files. One thing led to another, and in the end, I did the entire photography program and also picked up a certificate in Web Design. When I outgrew the G9, I got a Canon 5D. I now use a Canon 5D Mark II.

In the spring of 2008, I began thinking about and working on photography in rose shows. In 2009 I was appointed the first Photography Chair of the PSWD of the American Rose Society, and in my three-year tenure wrote Guidelines for Judging Rose Photographs for shows in the District. I was intimately familiar with “growing pains” in this district with respect to the new discipline in rose shows.

In 2012, Curtis Aumiller was appointed the first Photography Chairman for the American Rose Society, and I have been honored to work with him and the wonderful committee he put together to develop rose photography at the national level. With a lot of hard work, national guidelines were approved by the ARS Board in September of 2015. It felt like birthing a baby. As any parent knows, the really hard work lies in nurturing and raising that baby to maturity. That’s where we are now, in my opinion. I’ve gotten the sense that one obstacle to be overcome is a perception that showing photographs in rose shows is very expensive because of the mounting and matting specifications. While it is true that dry mounting and double matting a photograph can be expensive, that is not what is required for rose shows. Photos need to be mounted in some manner to a backing board and then matted. Specified dimensions are 11×14 in on the outside, with images ranging between 5×7 to 8×10.

Shows last a day or two. These images are not intended for sale. They are lovely images, but not intended for gallery shows. The purpose of the mounting and matting requirement is to standardize the display; to make it possible to display the images; and to separate one image from another by the use of mat to give focus and visual weight to the separate images. Here in the PSWD, the last time I judged photographs laid on a table and unmatted was in 2008. Once people saw the beautiful displays that mounting and matting gave, that approach is what was used. But nationally, this is something of a new concept.

The first rose show season after adoption of the national Guidelines for Judging Rose Photography is just getting underway. The anthropologist in me sees this first year as a critical time. The Ob/Gyn in me asks, “What does this baby need to thrive?” The answer, of course, is, like all newborns, “a lot of things.” I am seeing those things come from many people, including ARS President Pat Shanley and the wonderful photography committee members. Our Chairman is the one who “gets paid the big bucks” – not true; totally voluntary job, often with little thanks – to handle the growing pains of this new discipline in our shows. I have a very positive feeling it is all going to work!

I woke up this past Friday morning wondering what I could be contributing. I decided to do a Power Point presentation showing how easily and inexpensively rose photographs could be mounted and matted to meet the specifications of the Guidelines. Once I finished that, I decided to also convert it to a pdf so it could easily be shared. Some of you saw that version on Facebook. There was such a good response, I decided I really needed to do a cleaner version in Word and then convert that to a pdf. I got that done by early Sunday afternoon. That version is the link posted just below, as well as at the beginning of this post. That pdf may be downloaded and shared. The link may be posted on websites and in newsletters. I want people to know that displaying their rose images in a rose show is not complicated and it need not be expensive. This is how I show my rose images in rose shows.

HOW TO MOUNT AND MAT_for new pdf 04102016

By the time I got to that point, my three day weekend had pretty much been consumed. I’m familiar with how to publish Kindle e-books, and given the work I had already done, I knew it would not be hard.

The pdf information will be gotten out and around to a variety of places this year. What about next year, or the year after? I decided Amazon is a pretty good repository for information, easily accessible by anyone anywhere. Amazon requires a minimum list price of $0.99 USD for an e-book, so the Kindle version is not free as the pdf is, but it is as close to free as I could make it on a Kindle platform at Amazon.
The result is this:

How to Mount and Mat an 8×10 Photo for Rose Shows

I hope this information will be helpful to people who already show rose photographs, and especially to those who have considered showing rose photographs in our shows but who need a little encouragement and an explanation and guide of “how to.”

Wishing you good light and beautiful roses ~ Susan

showing rose photographs
Rose ‘Gemini’

Slideshow of Some Rose Photographs

Winter to Spring

winter to spring

Winter to Spring in Roses

Winter to spring transition in roses is abundantly clear in my garden this year. A couple of weeks ago we had several days of above average temperatures. Many roses began to send out new growth.

Here in the high desert of New Mexico we are taught not to prune our roses until late March or early April, because pruning stimulates new growth. That tender new growth will die if we get a late freeze, which is not uncommon here in the high desert. So, my roses have not yet been pruned, nor will they be for several weeks. But, because the roses are sending out new growth, I have had the opportunity to photograph old spent blooms and hips with the new growth: a winter to spring transition. I sometimes think of it as “the junction of life and death,” but I realize that is too strong for some readers. I personally find with junction of the remains of last year’s growth and blooms with this year’s brand new growth to be beautiful and interesting.

Some of the new rose leaves are red. This is not a photoshopped color. The red color is due to pigments called anthocyanins, which actually help protect the tender new growth from harsh UV light. As the plants mature, and they no longer need this protection, the pigments disperse, the leaves become green, and become chlorophyll factories through photosynthesis. Not all roses produce the red leaves on early spring growth, however.

winter to spring
‘Betty Boop’ with spent bloom without petals, and new leaf growth
winter to spring
Spent bloom of ‘This is the Day’
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Spent bloom and hip of ‘Incognito’

More Roses

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Rose Photograph Blue Ribbon Winners from ARS 2014 Fall National Convention

Roses are the focus of American Rose Society conventions: rose specimens, rose arrangements, and increasingly, rose photographs. The 2014 Fall National Convention featured a competition of rose photography. The results of the competition have recently been posted on the website of the ARS.

I had known that my photograph of ‘Dream Weaver’ had won Queen (equivalent of Best of Show) and that my Creative Interpretation image of ‘Gemini’ had won King (equivalent of Runner Up to Best in Show). Until I received the ribbons in the mail last week, I did not know that ‘Child’s Play’ had been awarded best in section for Fully Open Roses, nor that my image of hips of ‘YoYo’ had been awarded best in section for Rose Potpourri. I will show those images in a later post.

I was surprised and pleased with how many of my images had been awarded Blue Ribbons. The images in this post are the Blue Ribbon winners.

roses Gemini
‘Gemini’
Hybrid tea, exhibition form

roses Glowing Amber
Miniature Rose Glowing Amber
Exhibition Form

‘Glowing Amber’ is an interesting little rose. It has distinctive reflex petals, with a red upper and yellow reverse. There are stories that the hybridizer complained that photographers never captured the brilliant colors of this little gem. I did not hear any complaints about the color in this image. 🙂

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Miniature Rose ‘Child’s Play’
Exhibition form
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Spray of Miniature Rose, ‘Foolish Pleasure’
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Fully Open, Stamens Showing
Hybrid tea, ‘Gemini’
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Old Garden Rose 1918
Hybrid bracteata, ‘Mermaid’

This image of ‘Mermaid,’ one of my favorite roses, appeared on the cover of the 2014 Rose Annual:

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‘Mermaid’ on Front Cover of 2014 Rose Annual
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Rose ‘Dr. Huey’ in Rose Potpourri. Photo taken on the First Annual Dr. Huey Tour of the Corrales Rose Society

Dr. Huey is often used as the root stock onto which to graft other roses grown for their blooms. It can get very, very large!

My image of ‘Gemini’ entered in Creative Interpretation was awarded King of the show, but I had two additional Blue Ribbons in that class.

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Hybrid tea, ‘Leonidas,’ in Black and White.
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Hybrid tea, ‘Veterans’ Honor’

With Albuquerque under a Winter Storm Watch from this evening through tomorrow evening, and with this morning dawning dark and gray, this seemed like a good time to enjoy the beautiful roses and colors of summer. Please enjoy!

‘Cinnamon Delight’

Cinnamon Delight
‘Cinnamon Delight,’ a miniature rose with unusual russet color

This miniature rose was hybridized by Ernest D Williams and introduced in 1993. Its official color is Russet. More information about this rose can be found at Help Me Find.

Russet roses generally contain genes of mauve and yellow roses, and as the blooms age, they will often fade to one of these. This rose is not grown by too many people at present (I cannot explain why), but I had a request from another person who does grow this rose to post images I made this year, to compare color in different climates. This post is in response to that request.

I would also like to take this opportunity, with such an appropriately named rose, to wish my readers a very Happy Thanksgiving with family and friends! With lots of cinnamon…,and chocolate! 🙂 And, for those who are traveling, safe travels.

Cinnamon Delight
Horticulture Image 1
Cinnamon Delight
Horticulture Image 2

It is a fun rose to play with editing. The following images have been what we call “creatively edited,” and should not be taken to be representative of the color of the bloom growing on the bush. The form, however, has not been altered in this series.

Continue reading “‘Cinnamon Delight’”

Cover Images

front cover image
Cover Images for the 2014 American Rose Society’s American Rose Annual

Cover images for the Rose Annual are an honor for anyone asked to provide them. This annual publication of the American Rose Society is based around a theme chosen by the guest editor, who invites a variety of people to contribute. This year’s guest Editor was Elena Williams, and she oversaw the production of a beautiful and very useful American Rose Annual. I was very honored by her invitation to provide photographs for the front and back covers of the 2014 American Rose Annual, with a theme of “Roses Across the USA – People, Places, Art, and Science.” Thank you, Elena!

One of my all-time favorite roses is the Old Garden Rose, the Hybrid bracteata ‘Mermaid’ with a date of introduction of 1918. I planted it in honor of my father, who was born in 1918. I have gotten Best of Show with it twice, and multiple Victorian Award Certificates. It is an eight-hour wonder, but when it is on, it is truly spectacular. When Elena asked me about the covers, I hoped I could provide an image of ‘Mermaid’ that would be acceptable for the front cover. This image of ‘Mermaid’ did become the front cover image:

front cover images
‘Mermaid’
Old Garden Rose
Hybrid bracteata 1918

I did not have a strong feeling about the back cover image until I began processing the images from my trip to San Diego for the 2014 Spring National. Sally Long had invited me to give some presentations in Rose Photography, and after the show she showed me all around the San Diego area. Marvelous hostess…

Given the theme of “Roses across the USA,” the red, white and blue of this American landscape, complete with American flag, seemed to beg to be the back cover image. Elena agreed, and this image became the one published:

back cover images
Roses in a Red, White, and Blue American Landscape

Thanks again to Elena Williams and the staff of the American Rose Society for an outstanding publication.

Roses

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Photographs of Roses from the 2014 American Rose Society Fall National Convention and Show

Roses are, of course, the focal point of any rose show, whether at the local, district, or national level. In the beginning, rose shows consisted only of horticultural displays. Later, rose arrangements were added to many shows. In the past several years, rose photography has become an important part of many rose shows. It adds another dimension to the enjoyment of roses.

The American Rose Society has had a long-standing annual photography competition for its magazine, American Rose. In recent years, photography competitions have been held in conjunction with ARS National Conventions and Shows, but not directly tied to ARS. For the 2014 Fall National Convention and Show, ARS Photography Chairman Curtis Aumiller organized a print competition, with submitted entries to be displayed in Klima Hall at ARS Headquarters in Shreveport through the holidays.

In the Spring of 2014, at the ARS Spring National in San Diego, Curtis had suggested that top winners in Photography be given the titles of the top winners in Horticulture. In roses, the top award, the equivalent of “Best in Show,” is Queen. Second place is awarded King, and third place is awarded Princess. These awards are on top of Best in Class awards.

I was very happy to have a photograph of the Climbing Floribunda ‘Dream Weaver’ awarded Queen and another of ‘Gemini’ awarded King at the 2014 ARS Fall National.

Dream Weaver

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Queen of Show, 2014 ARS Fall National
Photographer grown

Gemini

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Gemini, from The Postcard Series
King of Show
Best of Rose Art

I donated my matted and mounted entries to the American Rose Society to be sold in the Gift Shop at ARS Headquarters in Shreveport after the show is over.

Rose Photography

Gemini
Rose Photography Winners from the 2014 Albuquerque Rose Show

Rose photography winners from the 2014 Albuquerque Rose Show are available in a calendar for 2015 from the Albuquerque Rose Society. I am pleased to have had five images selected as winners in the 2014 show and included in the 2015 calendar.

rose photography Gemini
Gemini, from The Postcard Series
Best of Show, Best of Rose Art
rose photography Leonidas
Leonidas
Best of Black and White (Challenge Class)
Silver Medal Award for Photographer Grown Rose
rose photography Distant Drums
Distant Drums
Winner Best of Theme (The Artistic Rose) and Bronze Medal Award for Photographer Grown Rose
rose photography Gemini
Best of Class and Best of Section, The Rose
Gold Medal Award for Photographer Grown Rose
rose photography Dream Weaver
Dream Weaver
Best of Class, Rose Sprays

Beginning in 2008, I began to work on some standardization for judging of photographs in rose shows in the Pacific Southwest District of the American Rose Society. In 2009, I was appointed the first Chairman for Photography in the PSWD, and held that post for the next three years. As an ARS Accredited Rose Horticulture and Rose Arrangement Judge, I wanted to work to develop guidelines for a third division in our rose shows, Photography. I appointed the working committee, with that goal in mind.
I have been very happy to see Photography added to many rose shows, and also to see many of those use the guidelines and score card developed under my Chairmanship. You may read a history of my work as Chairman of the PSWD Photography Committee at this link.

I did enjoy entering images in the 2014 Albuquerque Rose Show, however. I was happy to donate these images to the Albuquerque Rose Society for their 2015 Calendar, one of their projects for raising money for the Society.