ANMPAS 2017, the Annual New Mexico Photographic Arts Show, is now open and runs through April 23. The show is in the Fine Arts Building at EXPONM. Hours are 10:00am-5:00pm daily, except closed on Easter Sunday. If you live in Albuquerque, or will be passing through the Albuquerque area, consider visiting the show. I think you’ll enjoy it. All photographs are framed and available for purchase.
And, once again, I invite you to see a variety of my other pomegranate images, as well as rose images and two from “Persephone’s Choice: Every Woman’s Dilemma.” These were published in the March/April Shadow and Light Magazine, Tim Anderson, editor. Tim was kind enough to allow me to use a pdf of my portfolio published there, as the Featured Photographer and Grand Prize Winner of the 2017 Color It Red Contest. Thanks, Tim, and also to the jurists.
“Fruit of Ancient Myths” as a photographic image can be seen in two major venues this spring: 2017 ANMPAS and the March/April ssue of Shadow and Light Magazine.
Regular readers here know that in the fall of 2015 I photographed many pomegranates for possible use in composites in the Persephone series. In the fall of 2016 I revisited and reworked some of those images. I looked simply at the beauty of the pomegranates themselves, not as perfect specimens, but as living things with beauty and grace as they approached the end of life. The seeds they contain, the hope of rebirth and new life, are clear and distinct. This image is one in a series.
2017 ANMPAS, the Annual New Mexico Photographic Art Show, opens April 2 and runs for three weeks. It will once again be held in the Fine Arts building at EXPO New Mexico. All images are framed and mounted, and are for sale.
The show itself is free, although at times, especially on weekends, EXPO NM may charge a parking fee.
Shadow and Light Magazine
This image, “Fruit of Ancient Myths,” also appears on the cover and also within the March/April 2017 issue of Shadow and Light Magazine. Thanks to the jurists of this year’s Color It Red competition, I was selected as the Grand Prize winner. In addition to images related to the pomegranate/Persephone/myth work, the editor, much to my surprise, requested some of my rose photographs to include.
Editor Tim Anderson of Shadow and Light Magazine was kind enough to allow me to share a pdf of my portfolio (click to see all of my images included) in the March/April issue of the magazine. The entire issue can be purchased for $3.50, and I recommend it for interesting articles as well as great photography.
Persephone at Berlin Foto Biennale 2016 and 4th Biennial of Fine Art & Documentary Photography
Persephone at Berlin Foto Biennale 2016 is something those of you who also read on Face Book know about, but many of you who are loyal readers here may not know about. The show runs in Berlin, Germany from October 6 -30, 2016, at the Palazzo Italia
“My Fate, By Choice,” from the series, “Persephone’s Choice: Every Woman’s Dilemma” is my image for this large photography show. “Emotions and Commotions” is the show theme.
I was surprised when I received an invitation right after Christmas to participate. I did not remember entering any competitions that would qualify for this exhibition. But, I checked my records and followed the links. I had indeed entered some things in January 2015, right after I got back from Texas to be with my son. Brain fog consumed me at that point. I am surprised I entered things at all.
Almost as surprising to me was the variety of the three images invited to be exhibited.
The Three Invited Images
Many of you here are familiar with “The Road Less Traveled.” This is in the Rio Grande Valley a little south of Albuquerque. It was a serendipitous view discovered when I missed the turn, and after driving for a bit, turned around to see if I could find the correct turn. This view appeared when I turned around. The trip was one of the “photographic excursions” on the birthday Tim Price and I share. The photograph has special meaning.
This floral is certainly typical of my florals. As such, I was very pleased to be invited to show it in Berlin.
The third invited image surprised me a lot! Photographers know their work, even when people take the images, cut off the watermarks, and try to cram them into nodes with different aspect ratios. We see it, we frame it, we snap it, we process it. When I saw the third invited image, I thought “oh, that must be mislabeled and belong to someone else.” It certainly is not typical for me. After looking at it for a bit, I realized I made the photograph as part of a workshop taught by LeRoy Perea and Dennis Chamberlain. I hope they are pleased that an image from that workshop was selected to be shown in Berlin.
This is a tee shirt display at a flea market. Most of the images are of Marilyn Monroe, with a distinct New Mexico twist. There is Day of the Dead Marilyn, a variety of Our Lady of Guadalupe Marilyns, and a couple of her famous poses not given New Mexico flavor. I think the choice of this image speaks to the universal appeal of Marilyn Monroe.
In 2012, I had displayed three images at the 2nd Biennial of Fine Art & Documentary Photography, held that year in Buenos Aires, Argentina. I thought about that show, and I thought about these three new images chosen for the 2016 show. At the time the invitation came, I was still working on processing and interpreting the Persephone images. I knew that work was different from anything I had done before. That was the work I wanted to show in Berlin, and this was the one image I wanted to show: Persephone at Berlin Foto Biennale 2016.
The curators were very helpful when I explained what I would like to do. I’m really delighted and honored to have the opportunity to show this image in Berlin in the 4th Biennial of Fine Art and Documentary Photography.
By the end of May all the details that had to be taken care of at my end for Persephone at Berlin Foto Biennale 2016 were done.
The Steve McCurry Controversy
Some of you may know Steve McCurry as the photographer of “Afghan Girl,” a National Geographic cover. He is an extremely well known photographer. Kodak gave him the last roll of Kodachrome produced, because the company thought he would make good use of it.
In the spring of 2016, he became embroiled in something of a scandal when it was discovered he had photoshopped not only one but several images. Photographic artists make extensive use of photo editing and photo enhancing, photojournalists do not. Sometimes a thin line separates the two.
I did not know until sometime in August that part of this show would be a Retrospective by Steve McCurry. Additionally, he will be giving the dinner speech and participating in some of the press conferences. I personally doubt he would be participating to this extent without the controversy, but it works for me. It should be a well attended show.
2016 Moscow International Foto Awards – Honorable Mention for Persephone’s Choice: Every Woman’s Dilemma
Many thanks to the jurors of the 2016 Moscow International Foto Awards (MIFA) for the recognition of the Portfolio entry in Fine Art Collage of “Persephone’s Choice: Every Woman’s Dilemma” with the award of Honorable Mention. This is a wonderful honor for this series, which has so much personal meaning to me. It was produced with a lot of blood, sweat, and tears; and also a lot of joy!
An award for the entire series is icing on the cake for me. Creating the series after a brief mention of Persephone in an email last September 15, through thinking about what I wanted to do and why, finding the perfect model for my vision, then photographing and editing…those were the easy parts. Working through the editing at times was like a painful visit to a shrink. That was a huge surprise to me. Was it worth it? Yes. Will I do another series project like it? Not soon.
One image from the series has been especially well received.
“My Fate, By Choice” was juried into the 2016 Insight New Mexico Show earlier this year; was a winner in the 2015 Red Dog News Color It Red competition, and will be shown in Berlin in October, 2016.
Again, I thank the jurors of the Moscow International Foto Awards for the award for this series.
Rose Photography – Judges Class Winner in the 2015 American Rose Society Digital Photography Competition
Rose photography – what led me to study and learn digital photography in 2008. I was an ARS Accredited Horticulture and Arrangement Judge when I wrote about adding photography to our rose shows for the ARS 2010 ARS Rose Annual.
My interests in photography have certainly led me, and will continue to lead me, to explore many more aspects of my world and life through photography.
I would like to thank the members of special committee who selected this image, “Rose ‘Gold Medal’ with Butterfly,” as the winner of the Judges Class of the 2015 American Rose Society Digital Photography Contest.
This image has special meaning to me. The ‘Gold Medal’ was grown by my mother, and it is one of her favorite roses. It was photographed near sunset in her garden. The hair streak butterfly is a macro shot taken in the garden of my friends Tim and Laurie on a glorious afternoon in Corrales. I have so many pleasant memories of both gardens, and I wanted to unite them in one image. On a personal level, that is what was behind the creation of this image.
On a rose photography level, I wanted to create an image that used a lot of photo editing and photo enhancements but ended with an image of a beautiful rose and a feeling of a presence in a beautiful garden. One of my pet peeves is the use of Photoshop filters to create with one click of a mouse an image that smashes a rose beyond all recognition. The uninitiated seem to find those impressive, but they do not know that it is one click of a mouse. Did I ever make images like that? Yes, I did indeed. But I would like to see us encourage images that are a bit more creative and that show the beauty of the rose. Do I expect them to be as complex in creation as this image that appears so simple was? No, of course not. But I recently saw a gorgeous image of a rose on fallen leaves of autumn, creatively arranged, magnificent in color, that was passed over for a one-click abstract. I’d like to see our judges – and photographers – begin to rethink the approach to “rose art” to go beyond the one-click Photoshop filters.
Once again, I thank the people who selected this as the winner in the Judges Class, 2015. It is an honor.
For those who would prefer the information in a Kindle format, readable on any device with the free Kindle app, it is $0.99, the minimum price Amazon allows:
Many readers here know that while my interests have grown in many directions, digital photography for me began with roses. I purchased my first digital camera, a little Nikon Coolpix, in 2004 to have a light weight camera that would fit in my purse to take to rose shows that I judged. When that camera died – I wore it out! – in 2008, I bought a Canon G9, a compact digital with many manual controls and RAW capabilities. I had to take a class, “How to Use Your Digital Camera,” to learn how to use that camera and also the software necessary to process RAW files. One thing led to another, and in the end, I did the entire photography program and also picked up a certificate in Web Design. When I outgrew the G9, I got a Canon 5D. I now use a Canon 5D Mark II.
In the spring of 2008, I began thinking about and working on photography in rose shows. In 2009 I was appointed the first Photography Chair of the PSWD of the American Rose Society, and in my three-year tenure wrote Guidelines for Judging Rose Photographs for shows in the District. I was intimately familiar with “growing pains” in this district with respect to the new discipline in rose shows.
In 2012, Curtis Aumiller was appointed the first Photography Chairman for the American Rose Society, and I have been honored to work with him and the wonderful committee he put together to develop rose photography at the national level. With a lot of hard work, national guidelines were approved by the ARS Board in September of 2015. It felt like birthing a baby. As any parent knows, the really hard work lies in nurturing and raising that baby to maturity. That’s where we are now, in my opinion. I’ve gotten the sense that one obstacle to be overcome is a perception that showing photographs in rose shows is very expensive because of the mounting and matting specifications. While it is true that dry mounting and double matting a photograph can be expensive, that is not what is required for rose shows. Photos need to be mounted in some manner to a backing board and then matted. Specified dimensions are 11×14 in on the outside, with images ranging between 5×7 to 8×10.
Shows last a day or two. These images are not intended for sale. They are lovely images, but not intended for gallery shows. The purpose of the mounting and matting requirement is to standardize the display; to make it possible to display the images; and to separate one image from another by the use of mat to give focus and visual weight to the separate images. Here in the PSWD, the last time I judged photographs laid on a table and unmatted was in 2008. Once people saw the beautiful displays that mounting and matting gave, that approach is what was used. But nationally, this is something of a new concept.
The first rose show season after adoption of the national Guidelines for Judging Rose Photography is just getting underway. The anthropologist in me sees this first year as a critical time. The Ob/Gyn in me asks, “What does this baby need to thrive?” The answer, of course, is, like all newborns, “a lot of things.” I am seeing those things come from many people, including ARS President Pat Shanley and the wonderful photography committee members. Our Chairman is the one who “gets paid the big bucks” – not true; totally voluntary job, often with little thanks – to handle the growing pains of this new discipline in our shows. I have a very positive feeling it is all going to work!
I woke up this past Friday morning wondering what I could be contributing. I decided to do a Power Point presentation showing how easily and inexpensively rose photographs could be mounted and matted to meet the specifications of the Guidelines. Once I finished that, I decided to also convert it to a pdf so it could easily be shared. Some of you saw that version on Facebook. There was such a good response, I decided I really needed to do a cleaner version in Word and then convert that to a pdf. I got that done by early Sunday afternoon. That version is the link posted just below, as well as at the beginning of this post. That pdf may be downloaded and shared. The link may be posted on websites and in newsletters. I want people to know that displaying their rose images in a rose show is not complicated and it need not be expensive. This is how I show my rose images in rose shows.
By the time I got to that point, my three day weekend had pretty much been consumed. I’m familiar with how to publish Kindle e-books, and given the work I had already done, I knew it would not be hard.
The pdf information will be gotten out and around to a variety of places this year. What about next year, or the year after? I decided Amazon is a pretty good repository for information, easily accessible by anyone anywhere. Amazon requires a minimum list price of $0.99 USD for an e-book, so the Kindle version is not free as the pdf is, but it is as close to free as I could make it on a Kindle platform at Amazon.
The result is this:
I hope this information will be helpful to people who already show rose photographs, and especially to those who have considered showing rose photographs in our shows but who need a little encouragement and an explanation and guide of “how to.”
Wishing you good light and beautiful roses ~ Susan
“My Fate, By Choice” from the Persephone Series in Color It Red 2016
My thanks to Red Dog News editor Tim Anderson, along with jurors Ann Marquis Hart and Pat Berrett, for selecting “My Fate, By Choice” from the Persephone Series as a winner in Color It Red 2016 contest.
My Fate, By Choice
This is the fifth year for this particular competition, and it is always interesting. There were some beautiful entries this year. All the winners may be seen in the Color It Red 2016 gallery. Be sure to click on the little thumbnails to see the full images.
This is but one image from the Series. More images, and an explanation of the series, almost as an autobiographical photoessay, may be seen in the e-book available at Amazon. The book may be read on any device with the free Kindle app.
Once again, many thanks to Kelly Angerosa who played Persephone so beautifully.
UNM Digital Photography Exhibit, Now Through the End of July
UNM Digital Photography Exhibit, arranged by the Digital Arts Program on the Continuing Education Campus, is up and open to the public from now through the end of July. It is in the Conference Center, the North Building.
Participants in the UNM Digital Photography Exhibit include the digital photography instructors, advanced students in the program, and graduates of the program (that would be me, 2009).
The UNM Digital Photography Exhibit is not a juried exhibit. Participants were invited to bring whatever pieces of their work they wanted to show.
The three pieces of mine that I chose have all been in juried shows. Although not intentional at the time of selection, I realized later the pieces represent a sort of developmental scheme.
This image was made in 2009 with a Canon G9, a somewhat advanced but still a point-and-shoot camera. To date, this is my most awarded image. It was juried into the International Biennial Exhibition of Fine Art and Documentary Photography at The Borges Cultural Center in Buenos Aires, Argentina, from January 19th through February 27th, 2010. It was also juried into the Corrales Fine Arts Show here in New Mexico. It was awarded “1st Place – Outstanding Achievement” in Still Life at the 8th Annual Black and White Spider Awards. It was awarded the Bronze Medal, 3rd Place in Nature-Flowers at the 2012 Paris Photo Prize, along with 3rd place for People’s Choice Award. Again, this was an early piece done with a point-and-shoot camera. The piece has special meaning because my mother grew the lily, and held a white background for me as the light was quickly fading in her garden.
This image is from a trip to the Jemez Mountains here in New Mexico over Autumnal Equinox weekend in 2013. Everything about that entire weekend was full of the magic for which New Mexico is known. This was at the very beginning of the trip. I had planned to photograph this church before I even left home. My traveling companions could not understand why I would even bother to stop to photograph it! I just wanted to! By this time I had moved up to a Canon full frame dSLR. This image was juried into the Corrales Fine Arts Show as well as the Annual New Mexico Photographic Art Show.
‘The Observer/The Observed’
This image was created this year, and of the ones in this post, has the most meaning to me. Many of you know my son was diagnosed with leukemia over Thanksgiving weekend (he is now in remission and doing quite well, I’m happy to say), and this was done as I was trying to make sense of all that was happening. In mythology of some Native Americans, Crow is a messenger between worlds, as well as a trickster who can steal light from the sky (the sun) and carry it to people who need it. I rarely see crows in my yard, and this one stayed just long enough for this image. Editing it to show what I wanted to show took a long time; it also took my mind off a lot of things; and was the most creative thing I had done after my son was diagnosed. I had not intended to show it; I did the work strictly for me. But Jim Stallings, fellow anthropologist, writer, and friend wrote a poem about it as a gift to me and my family in those dark days of winter:
Spontaneous Poem from a Treetop Crow
In the lofty life of a wise old crow
Swaying in the topmost backyard branches
Like a magical clock counting down mortality’s coil,
May it not be in some secret way
We the awed observers
Have all along been honored by a wiser watcher?
– Jim Stallings
Jim’s poem encouraged me to enter the image, and it was juried into the 2015 InSight New Mexico show, “Through Her Eyes,” held in April. (It has also been juried into another show, to be held in July – more about that in a different post).
I invite my friends in the Albuquerque area, as well as friends who will be passing through Albuquerque between now and the end of July, to stop by the Conference Center on the UNM CE campus (Indian School and University) and see the UNM Digital Photography Exhibit, with works by the digital photography instructors, advanced students, and graduates of the digital photography program.
Rose Photograph Blue Ribbon Winners from ARS 2014 Fall National Convention
Roses are the focus of American Rose Society conventions: rose specimens, rose arrangements, and increasingly, rose photographs. The 2014 Fall National Convention featured a competition of rose photography. The results of the competition have recently been posted on the website of the ARS.
I had known that my photograph of ‘Dream Weaver’ had won Queen (equivalent of Best of Show) and that my Creative Interpretation image of ‘Gemini’ had won King (equivalent of Runner Up to Best in Show). Until I received the ribbons in the mail last week, I did not know that ‘Child’s Play’ had been awarded best in section for Fully Open Roses, nor that my image of hips of ‘YoYo’ had been awarded best in section for Rose Potpourri. I will show those images in a later post.
I was surprised and pleased with how many of my images had been awarded Blue Ribbons. The images in this post are the Blue Ribbon winners.
‘Glowing Amber’ is an interesting little rose. It has distinctive reflex petals, with a red upper and yellow reverse. There are stories that the hybridizer complained that photographers never captured the brilliant colors of this little gem. I did not hear any complaints about the color in this image. 🙂
This image of ‘Mermaid,’ one of my favorite roses, appeared on the cover of the 2014 Rose Annual:
Dr. Huey is often used as the root stock onto which to graft other roses grown for their blooms. It can get very, very large!
My image of ‘Gemini’ entered in Creative Interpretation was awarded King of the show, but I had two additional Blue Ribbons in that class.
With Albuquerque under a Winter Storm Watch from this evening through tomorrow evening, and with this morning dawning dark and gray, this seemed like a good time to enjoy the beautiful roses and colors of summer. Please enjoy!
Floral photography has become one of my major photographic interests in the years I have been doing digital photography. Over the next several weeks, I will be introducing images from a new floral series. Before introducing the new floral series, and before the opening of the 2014 Annual New Mexico Photographic Arts Show (ANMPAS) next weekend, I would like to show (once again for some of you, but new to some readers here) some awarded floral images from the past.
This month (November 2014) you have seen a range of my rose photographs from this year. The rose photographs tend to be done differently from the way I do other floral images. For our rose shows, the images need to combine the important aspects used to judge a rose presented in some artistic way. Sometimes combining two such different approaches is about as easy as mixing oil and water. It is what it is. I enjoy the challenge and the opportunity to show roses in their best light as viewed by ARS Accredited Judges.
In this post, you will see floral images done somewhat differently from most of the rose images.
The image “Lily” was also shown at the 2012 Corrales Fine Arts Show, a juried exhibition.
Of note, this floral photography image was created with a point-and-shoot digital camera, albeit with some good manual controls and RAW capabilities, the Canon G9, in 2009. My mother grew the lily. I was trying to photograph it one evening in rapidly fading light, and the background was quite cluttered. My mom ran into the house and got a background she used in her floral arrangements, and held it so I could create an uncluttered image. One of my few images with an assistant. 🙂 The point of this paragraph is that it is not the camera, but what you do with it.
Back to Blue is a series of floral images I created late summer and early fall of 2013, and called “The Blues.” Done in shades of blue, the reference was as much to emotion and mood as to color.
Two images from that series of floral photography have been recognized.
“The Blues: Starting Over” was selected by Juror Stephen Perloff as Third Place Winner in the New York Center for Photographic Art “Primary Colors” competition.
This image was exhibited in New York City from May 6 – 17, 2014. I was pleased to have this image shown in New York City. Many thanks to the New York Center for Photographic Art and to Stephen Perloff!
Another image from the series, “The Blues,” Ephemeral, was chosen as a Nominee in the 7th Annual Photography Masters Cup:
This is a fully open datura flower. These open at sunset, and began to fade at the first light of morning. The plants themselves are quite hardy, but the flowers truly are fleeting – and very beautiful.
These were my two favorite images from the series, and having them recognized in two very different venues brings me a great deal of pleasure. I am happy for the opportunity to share them again, although my current work seems to be dominated by bright colors and bold designs.
In the 2013 Px3 competition, my series “Flowers of Early Spring” was awarded Second Place in the People’s Choice Awards in Nature-Seasons.
Floral photography – always a challenge, and often quite rewarding.