29th Annual Corrales Fine Arts Show, During the Albuquerque International Balloon Fiesta
The 29th Annual Corrales Fine Arts Show begins with a reception October 6 at the Old San Ysidro Church. The show will be open daily, October 7-15, 11am-5pm, except closing at 4pm on Sunday October 15th. The show opens after the morning’s Balloon events, and closes in time for you to make it to the evening’s Balloon events.
I love showing in this venue. The building itself is historic, and part of old New Mexico. The light in autumn is beautiful. A portion of the proceeds from the show go to maintain the structure. The show consists of paintings, sculpture, photographs, textiles, and other arts. It is as varied as New Mexico itself. The show is juried by artists.
This year I am showing three pieces:
The show is free, as is parking. All items are available for purchase.
If you live in the Albuquerque area, or are coming to visit for the Balloon Fiesta, plan to visit the 29th Annual Corrales Fine Arts Show.
ANMPAS 2017, the Annual New Mexico Photographic Arts Show, is now open and runs through April 23. The show is in the Fine Arts Building at EXPONM. Hours are 10:00am-5:00pm daily, except closed on Easter Sunday. If you live in Albuquerque, or will be passing through the Albuquerque area, consider visiting the show. I think you’ll enjoy it. All photographs are framed and available for purchase.
And, once again, I invite you to see a variety of my other pomegranate images, as well as rose images and two from “Persephone’s Choice: Every Woman’s Dilemma.” These were published in the March/April Shadow and Light Magazine, Tim Anderson, editor. Tim was kind enough to allow me to use a pdf of my portfolio published there, as the Featured Photographer and Grand Prize Winner of the 2017 Color It Red Contest. Thanks, Tim, and also to the jurists.
“Fruit of Ancient Myths” as a photographic image can be seen in two major venues this spring: 2017 ANMPAS and the March/April ssue of Shadow and Light Magazine.
Regular readers here know that in the fall of 2015 I photographed many pomegranates for possible use in composites in the Persephone series. In the fall of 2016 I revisited and reworked some of those images. I looked simply at the beauty of the pomegranates themselves, not as perfect specimens, but as living things with beauty and grace as they approached the end of life. The seeds they contain, the hope of rebirth and new life, are clear and distinct. This image is one in a series.
2017 ANMPAS, the Annual New Mexico Photographic Art Show, opens April 2 and runs for three weeks. It will once again be held in the Fine Arts building at EXPO New Mexico. All images are framed and mounted, and are for sale.
The show itself is free, although at times, especially on weekends, EXPO NM may charge a parking fee.
Shadow and Light Magazine
This image, “Fruit of Ancient Myths,” also appears on the cover and also within the March/April 2017 issue of Shadow and Light Magazine. Thanks to the jurists of this year’s Color It Red competition, I was selected as the Grand Prize winner. In addition to images related to the pomegranate/Persephone/myth work, the editor, much to my surprise, requested some of my rose photographs to include.
Editor Tim Anderson of Shadow and Light Magazine was kind enough to allow me to share a pdf of my portfolio (click to see all of my images included) in the March/April issue of the magazine. The entire issue can be purchased for $3.50, and I recommend it for interesting articles as well as great photography.
Black and White Photography: ANMPAS Presents “Shades of Gray” December 4 – 27, 2016 at ExpoNM
Black and white photography as the sole focus for the December ANMPAS show is new this year. All of the ANMPAS (Annual New Mexico Photographic Arts Shows) shows feature New Mexico photographers. The December show has been a general show, with color and black and white images. The April show (Insight-NM) has featured women artists of New Mexico.
Organizer LeRoy Perea is changing things up a bit this year. December 2016 is “Shades of Gray.” April 2017 will be the standard ANMPAS show. December 2017 will be “Insight-NM.”
The show is closed December 24 and 25. Otherwise, it is open from 10:00am – 5:00pm December 4 – 27. The show itself is free. ExpoNM may charge parking on weekends or during special activities. All images are framed gallery style and all are for sale.
Those of you who read here often (Thank You!) know that, as a photographer, I am basically a colorist. To my eye, the colors of New Mexico demand that of me. But, every now and then, I do see things in black and white. I have always seen these boots, handmade by my son, in monochromes. When I realized he planned to come for the holidays and might be able to see the show, I entered this image. I was very happy that it was juried in. Many thanks to the jurors.
If you are in the Albuquerque area in December, consider visiting this black and white photography show, “Shades of Gray.” I am very happy to be included in this show.
Persephone at Berlin Foto Biennale 2016 and 4th Biennial of Fine Art & Documentary Photography
Persephone at Berlin Foto Biennale 2016 is something those of you who also read on Face Book know about, but many of you who are loyal readers here may not know about. The show runs in Berlin, Germany from October 6 -30, 2016, at the Palazzo Italia
“My Fate, By Choice,” from the series, “Persephone’s Choice: Every Woman’s Dilemma” is my image for this large photography show. “Emotions and Commotions” is the show theme.
I was surprised when I received an invitation right after Christmas to participate. I did not remember entering any competitions that would qualify for this exhibition. But, I checked my records and followed the links. I had indeed entered some things in January 2015, right after I got back from Texas to be with my son. Brain fog consumed me at that point. I am surprised I entered things at all.
Almost as surprising to me was the variety of the three images invited to be exhibited.
The Three Invited Images
Many of you here are familiar with “The Road Less Traveled.” This is in the Rio Grande Valley a little south of Albuquerque. It was a serendipitous view discovered when I missed the turn, and after driving for a bit, turned around to see if I could find the correct turn. This view appeared when I turned around. The trip was one of the “photographic excursions” on the birthday Tim Price and I share. The photograph has special meaning.
This floral is certainly typical of my florals. As such, I was very pleased to be invited to show it in Berlin.
The third invited image surprised me a lot! Photographers know their work, even when people take the images, cut off the watermarks, and try to cram them into nodes with different aspect ratios. We see it, we frame it, we snap it, we process it. When I saw the third invited image, I thought “oh, that must be mislabeled and belong to someone else.” It certainly is not typical for me. After looking at it for a bit, I realized I made the photograph as part of a workshop taught by LeRoy Perea and Dennis Chamberlain. I hope they are pleased that an image from that workshop was selected to be shown in Berlin.
This is a tee shirt display at a flea market. Most of the images are of Marilyn Monroe, with a distinct New Mexico twist. There is Day of the Dead Marilyn, a variety of Our Lady of Guadalupe Marilyns, and a couple of her famous poses not given New Mexico flavor. I think the choice of this image speaks to the universal appeal of Marilyn Monroe.
In 2012, I had displayed three images at the 2nd Biennial of Fine Art & Documentary Photography, held that year in Buenos Aires, Argentina. I thought about that show, and I thought about these three new images chosen for the 2016 show. At the time the invitation came, I was still working on processing and interpreting the Persephone images. I knew that work was different from anything I had done before. That was the work I wanted to show in Berlin, and this was the one image I wanted to show: Persephone at Berlin Foto Biennale 2016.
The curators were very helpful when I explained what I would like to do. I’m really delighted and honored to have the opportunity to show this image in Berlin in the 4th Biennial of Fine Art and Documentary Photography.
By the end of May all the details that had to be taken care of at my end for Persephone at Berlin Foto Biennale 2016 were done.
The Steve McCurry Controversy
Some of you may know Steve McCurry as the photographer of “Afghan Girl,” a National Geographic cover. He is an extremely well known photographer. Kodak gave him the last roll of Kodachrome produced, because the company thought he would make good use of it.
In the spring of 2016, he became embroiled in something of a scandal when it was discovered he had photoshopped not only one but several images. Photographic artists make extensive use of photo editing and photo enhancing, photojournalists do not. Sometimes a thin line separates the two.
I did not know until sometime in August that part of this show would be a Retrospective by Steve McCurry. Additionally, he will be giving the dinner speech and participating in some of the press conferences. I personally doubt he would be participating to this extent without the controversy, but it works for me. It should be a well attended show.
2016 Insight New Mexico, organized by LeRoy Perea and held in the Fine Arts Building at EXPO-NM, starts the 2016 photography show year for me. This is a juried show for women photographers in New Mexico. The Opening Reception will be held on Saturday, April 2, and then will be open to the public from April 3 through April 24, 10:00 am – 5:00 pm, daily except closed Mondays. All exhibited images will be available for purchase.
I would like to thank the jurors for including the two images I submitted for the show, “My Fate, by Choice” and “I Choose Both, Free as a Bird,” both from the “Persephone’s Choice: Every Woman’s Dilemma” series.
I would like, once again, to thank Jim Stallings for introducing me to such a compelling myth which served as the inspiration for “Persephone’s Choice: Every Woman’s Dilemma,” the series from which these two images come, and Kelly Angerosa, who provided both beauty and substance in the role of Persephone.
Those of you who are regular readers here have seen this work from the time it was barely an idea, now up to its presentation as a Kindle ebook.It is important to note that you do not have to have a Kindle to be able to view the book. Amazon offers free Kindle apps for desktops (PC and Mac), laptops, tablets, and smartphones (iOS and Android). In fact, since this ebook features images in color, I can view it better with an app on any of my devices other than my Kindle Paperwhite, which shows the images in black and white.
If you have followed the Persephone series as it developed here, you have already seen most of twelve images that are featured in the ebook. New text has been added: a discussion of myth, meaning, and various approaches to interpretation; a look at the mind-body dichotomy in human society; and some autobiographical references. From the Preface:
Persephone, Goddess of Spring and Queen of the Underworld in Greek mythology, became a truly fascinating mythological figure to me in 2015. I became determined, almost obsessed, as a photographer, to interpret a portion of her story. A complex myth, the part that initially captured my imagination involved Persephone’s cyclic descent into the Underworld and return to Earth each Spring.
Now that this small portion of the story is completed as a photographic series, I realize I was so driven to do the work because it presented an unexpected opportunity for me to synthesize much of my adult life – as a woman, as an anthropologist (PhD University of Arizona), as an obstetrician and gynecologist (MD University of Kansas, residency training University of New Mexico), and photographer (University of New Mexico).
As I worked with the images from what was intended to be a simple photoshoot, I began to realize that in many ways I was telling a story of an archetypal Woman, through one woman’s learning what it is to be female, in both body and mind. This is not a story about a woman learning to accept society’s or other’s definitions, but rather it is about a woman defining herself to herself, in her many complexities. Twelve images from the series are presented in this volume.
Myth, “the repository of the collective unconscious” – I learned to say that as an anthropologist. I learned what it meant as a photographic artist well into my mature years.
It is fitting that the portion of the myth involving Persephone’s cyclic descent into the Underworld and return to Earth, bringing Spring with her, consumed so much of my time during fall and winter. I first became aware of the myth on September 15 in casual email correspondence with friend Jim Stallings. By the end of September I had submitted for jurying three images inspired by the myth, using subjects well known to me: sunflowers and butterflies. All three were juried into 2015 ANMPAS (Annual New Mexico Photographic Art Show) and shown there in December:
I spent much of October photographing beautiful split pomegranates from my mother’s dwarf tree. I wasn’t really sure what I was going to do with all of those images; I just knew I had to photograph them.
By the end of October I began thinking of doing a series with a model. As a photographer, at one time I had done maternity portraits. And, once I had worked with someone else’s model on that person’s project. But, I myself had never chosen and hired a model. I really had no idea how I was going to do that. But, on October 30, the perfect person just sort of appeared. The following day I surprised myself by walking up and asking her if she had ever been a photographer’s model or if she would ever consider being a photographer’s model. Almost as much to my surprise, she said that although she had not done that before, she would be willing to do it.
Kelly Angerosa and I did the photoshoot on November 12, 2015. I spent the next two months consumed with processing the images to say exactly what I wanted them to say, getting the images out for review, and then writing this explanation and meaning of the project as a Kindle ebook.
While there is still some work to do on this series, it seems fitting that, while we will still have some very wintry, cold, windy days, the lengthening light with its hope of spring can be both seen and felt. Work is winding down on this series as spring approaches. Thoughts are turning to a new photoshoot with Kelly and a new emphasis in the spring.
I hope you’ll take the time to click on the Preview (above) and consider sharing your thoughts. To those of you who have been through this saga with me, Thank You!
2015 ANMPAS – Annual New Mexico Photographic Arts Show
2015 ANMPAS, the Annual New Mexico Photographic Arts Show, will once again be held in the Fine Arts Building at EXPO NM. It is open to the public December 6 through December 27, 10:00am – 5:00pm, except December 24 and 25. The show is free to the public throughout. Some days, particularly the weekends, EXPO may charge a parking fee. The opening reception is December 5, from 2:00-4:00pm.
This is a juried show, and artists participating must be residents of New Mexico. All artwork is for sale, and may be taken by the buyer at the time of sale.
I have enjoyed participating in ANMPAS and the related InSight shows over the years. These are the brainchild of organizer LeRoy Perea, who has watched the submitted entries grow in both quantity and quality over the years.
I am thrilled that for 2015 ANMPAS, the jurors selected three images from my series, Persephone.
Those of you who have followed me very long know that sunflowers are frequent photographic subjects for me, as are butterflies. I grew these sunflowers, and they are from the second crop of 2015. I really liked the structure of the sunflower plant in the “Heart of the Matter.” My son appreciates structure, especially in black and white images, and I converted the image immediately.
My son liked it as much as I had hoped.
I showed that image to a friend, Jim Stallings, with whom I have corresponded over the past couple of years and whose input has influenced some other photographic work, such as “The Observer/The Observed,” which I decided to show after Jim wrote a short poem. He wrote in the context of activities of autumn, after seeing the sunflower image:
…it is that ancient mythic time for the daughter Persephone of the Earth Goddess Demeter to return to the Underworld and stay there until the return for Spring. So all that feeds into the unconscious…the separation of between life on the surface of the world of fall and winter and waning and yet returning light and another go at renewal and new life. It must be motivating in your photographic subjects as well.
It is true that my fall images, even of bright flowers, tend to be dark.
I had not read mythology in a long time. As I read some of the stories of Persephone, I was struck by the fact that she did not seem to be constantly miserable in her months in the dark Underworld with her husband, Hades, who had first abducted Persephone with the permission of her father, Zeus. Mythology is full of plots and subplots, but I decided to create this particular series using some of my favorite subjects – flowers and butterflies – around the theme of hope in a dark spot.
Butterflies have multiple meanings to me. They are a symbol for Systemic Lupus Erythematosus – “lupus” – an autoimmune chronic disease with multiple manifestations, with treatments but no known cure. One of the manifestations for some people is the so-called “butterfly rash,” and thus, the butterfly as a symbol.
The particular butterflies I chose to use in this series have special meaning to me. The butterfly in “Heart of the Matter” is a tiny hair streak butterfly photographed at the Corrales home of friends Tim and Laurie Price: special friends, special place, special day. People who have brought hope to some of my dark places… The butterfly in “Awakening” is a glass wing butterfly photographed at the Albuquerque BioPark. The butterfly in “Emerged” is a red lacewing photographed at the Tucson Botanical Gardens.
I was asked to write a brief description of “Heart of the Matter:”
Persephone, goddess of Spring, was abducted by Hades to become his wife in the Underworld. Her mother, Demeter, goddess of the Earth and of the Harvest, in her anger and grief, caused the earth to go barren in her daughter’s absence, our dark winter months, and to bloom again upon her return in spring. This series is about the annual descent into the underworld of the darkness of Winter and rebirth into the light of Spring. “Heart of the Matter” represents the potential for rebirth – from any dark situation – in the developing bud (the heart) of the sunflower, and in the butterfly (with its heart shape), showing the strength, delicacy, and light of hope.
I have been asked whether there will be more in this series. Persephone’s story is one full of plots and subplots, all very stimulating for this photographer. These particular three, tell one of the stories I wanted to tell. There are many more I look forward to telling visually, but I do not anticipate black and white sunflowers with colorful butterflies as the vehicles of the next set or sets.
The Persephone series that will be shown at 2015 ANMPAS means much to me on a very personal level, and I thank LeRoy Perea and the 2015 jurors for selecting these three images for the 2015 show. I hope those of you in the Albuquerque area will come out for the show in December.
Opening Reception at the 2015 Fine Arts Show at the Old San Ysidro Church, Corrales
The 2015 Fine Arts Show at the Old San Ysidro Church in Corrales is so typical of the many things I love about New Mexico. The show is very eclectic, with a variety of art. The artist is free to exhibit his/her art in any style he or she wishes. This is in contrast to the shows that require a specific gallery style (I enjoy those shows also!). The setting is a beautiful old adobe structure from 1868. As I have mentioned here over the years, adobe takes a lot of upkeep, and one of the purposes of the show is to raise money for the maintenance of this beautiful old adobe. It sustained a lot of damage in the 2013 “desert hurricane” that swept down the Rio Grande, and at the 2013 and 2014 shows the building was in such bad shape from that I wasn’t sure that much could be done. Some major repair work in the interim had the Old Church looking great this year.
Two dimensional pieces are hung using strong twine with attached hooks, the twine going over hooks in the large beams. Nothing can be hung in any way that harms the adobe or any other part of this historic building. The Visual Arts Council has worked with this for so long that they have no problem hanging the show with the various constraints.
The opening reception is wonderful from the standpoint of seeing old friends, making new friends, and also being delighted when new friends made in the past year come out to the show. That’s the kind of night last night was.
View walking in to the Old Church:
Friends Tim and Laurie Price have come to the reception every year I have had pieces there. Both had had pieces in shows long before I started entering. This year they both entered pieces, and I personally was happy to see that the show committee hung their pieces in close proximity! Tim’s is the photograph, Laurie’s is the watercolor.
Laurie’s watercolor is her view of the crowd waiting to see the Mona Lisa at the Louvre. It’s whimsical, which shows she has a sense of humor and does not get stressed out by things that are unimportant in the big scheme of life. Later in the evening I was showing Laurie’s piece to a young woman I met this year, Jacque, an exercise specialist from the gym (thank you for coming out!!!!). A woman who overheard me called her husband to come take a second look. They had seen the watercolor earlier and had liked it, but did not pick up on the scene. She said, “Oh, right here is where we were when we were waiting to see the Mona Lisa. This is such a great depiction. I didn’t catch that when I first saw it.”
Tim with his photograph, made with film, of a view through a window that no longer exists. New construction destroyed the building with the window in this image. Tim developed it in his own darkroom, and it is a beautiful image.
Thanks to Tim for the next two images, of me at the show.
This is me with the two little pieces done on aluminum. This image says so much about New Mexico in general and this show in particular. Note the thickness of the adobe walls. Note the trees outside the window still have green leaves. Note the colors of the image on the wall behind my head – the colors of Ne Mexico. Note my little pieces sitting on pedestals instead of hanging. A requirement for this show is that all two dimensional pieces must be hung on the wall, and these pieces do hang. At most shows this would be a big thing. At the end of the evening I was told that the people hanging the show thought they looked better that way. Fine with me – this is a “friendly” show. I did not own a pair of jeans until I retired. For the first couple of Old Church shows I attended (I was still working), I dressed up. I felt out of place, really. Jeans – pretty much what I live in these days, and I don’t feel out of place at all in the Albuquerque/Corrales area.. 🙂
“The Observer/The Observed.”
Some photography acquaintances who had not seen this piece before said it was beautiful but that they didn’t know I did art besides photography. I thanked them, and said, “but this is a photograph. Well, it began as a photograph.” I was really happy that they liked it, and also that they took it for a painting.
(The hummingbird is an oil done by Paul Rodenhauser.)
I have the best neighbors anyone could hope for. Like Tim and Laurie, Burton and Rosemary come to any shows in which I have pieces. This is Burton with Tim. Rosemary had a baby shower for a new grandbaby to attend! Happiness all the way around! I first met Tim and Laurie through the Albuquerque Rose Society. Tim and Burton first met through the local bonsai society. Lots of different overlapping networks in this community!
For me, it was an enjoyable evening all the way around, and I will be out several more times before the 2015 Corrales Fine Arts Show closes Sunday, October 11 at 4:00 pm. If any of you are in the area, think about dropping by.
27th Annual Corrales Old Church Fine Arts Show, October 3 – 11, 2015
The opening reception for the Corrales Fine Arts Show is, for me, the kick-off event for a very busy week in the Albuquerque area, that of the Albuquerque International Balloon Fiesta, the largest hot air balloon event in the world. Many events apart from those of the Balloon Fiesta itself occur in the coming week, in and around Albuquerque and surrounding areas. The Corrales Fine Arts Show has always held a special meaning to me.
This year I was pleased to have all three of my entries juried in.
“A Delicate Balance” will be shown as a small dye-infused aluminum piece:
“Nature’s Rhythms” will also be shown on dye-infused aluminum:
The third piece, “The Observer/The Observed,” which many of you have already seen several times, will be shown as an archival pigment print on fine art canvas:
I have to once again thank friend, fellow anthropologist, and writer Jim Stallings for the fact this image is being shown at all. I created this image during a very dark time in this year’s winter, and showed it to only a very few people who were extremely supportive at that time. I had no intention at the time of showing it outside that small circle. Anthropologists, among many others, are aware of myth and ritual around the world involving birds of the crow/raven family. Jim wrote a short poem as a gift to me and my family at that time.
Spontaneous Poem from a Treetop Crow
In the lofty life of a wise old crow
Swaying in the topmost backyard branches
Like a magical clock counting down mortality’s coil,
May it not be in some secret way
We the awed observers
Have all along been honored by a wiser watcher?
– Jim Stallings
After Jim wrote the poem, I decided to show it to others. It has been juried in to every show to which I have entered it. Thanks, Jim.
The opening reception is always a special evening for me, but this year will be even more so. Friends Tim (photographer) and Laurie (watercolorist), who have always come to the opening reception to support me, each have pieces in this year’s show! Tim Price will have “Through the Concrete Window,” a photograph done on film and developed in his own darkroom. Laurie Price will have “La Joconde,” her view of what waiting in the Louvre to see the Mona Lisa was like. You may preview their work on Tim’s blog, and then see it this week at the Old San Ysisdro Church in Corrales.
Times for the show:
October 3 – 10
11:00 am – 5:00 pm
11:00 am – 4:00 pm
Admission is free, as is parking.
A portion of all proceeds is donated for the preservation and care of the Old San Ysidro Church. Deconsecrated some years ago, the structure is important in the life of the community. I hope my friends in the Albuquerque area can visit during the show, and also those coming to Albuquerque for the Balloon Fiesta.